Winner of the National Institute for Humanities and Social Sciences 2018 award for “Best Digital Humanities Project for Community Engagement”
This edition was first launched in 2015 and was completely revised in 2016 both on this site and as a CD-ROM for publication in SAMUS: South African Music Studies, journal of the South African Society for Research in Music (SASRIM). It comprises 145 scores in pdf, covering 182 unaccompanied short choral works and 1 piano work by Sotho composer Joshua Pulumo Mohapeloa. All his works are available for download as individual songs or in volumes.
All of them are available in staff notation only (Vols I-VI) or in staff notation with tonic solfa notation added (Vols Ia-VIa). The CD African Choral Legacy: Historic Recordings of Joshua Pulumo Mohapeloa (2013) is also available for sale as an album or as individual tracks, and provides an important accompaniment to the scores in this 2016 edition.
The Moerane Scholarly (or Critical) Edition is a heritage reclamation project, in which the original sources of Moerane’s music were collected, transcribed, and formatted for publication between 2014 and 2019. The new ACE edition presents 51 works for study or performance, alongside research material that sheds light on them, with minimal editorial intervention.
A performing edition of Surendran Reddy’s works (with many free recordings).
Surendran Reddy was a composer and pianist whose 100+ compositions represent a turbulent period in South Africa’s history, from the end of apartheid through the transitional 1990s to the post-apartheid 2000s. Trained as a classical pianist and harpsichordist, Reddy later became a jazz pianist, developing a crossover style that he called ‘clazz’, a style that relates to but is substantially unlike other fusion styles. His music often includes improvisatory passages. Reddy uses the township rhythms and harmonies of ‘mbaqanga’ and frequently quotes the African anthem ‘Nkosi Sikel’ i Afrika [God Bless Africa] and other tunes that were politically significant during 1980s and 90s South Africa.
Reddy’s works cover many genres – theatre music, dance, choral music, electronic music, chamber music and music for solo instruments – and several instruments: classical piano, jazz piano, organ, flute, clarinet, bassoon, voice, jazz ensemble, Indian tabla.